Directing and Cinematography Reel
Cinematography and directing showreel complied in 2025.
ROLE: Director, Cinematographer, Editor, Colorist
Papsura Peak Of Evil
Tucked deep in the Indian Himalaya is a 21,165-foot behemoth called the Peak of Evil, the face is split by a line so perfect and massive it pushed the skills of even the most renowned ski mountaineers. Papsura: Peak of Evil follows professional snowboarders Nick Russell and Jerry Mark from California’s Sierra Nevada to this remote corner of the world’s greatest mountain range as they harness years of experience in pursuit of the biggest line of their lives.
Role: Director, DP, Editor
The North Face Holiday
A study in warmth and scale for The North Face’s first internally directed holiday campaign, created with KGB Productions and the internal media team.
Shot across Utah with a cast of 25+, the imagery moves between quiet, interior moments and expansive mountain environments—grounded in real relationships and a sense of shared experience. The result is a campaign that feels both intimate and expansive, built to live across web, social, and retail.
Role: DP
Rally for Rangers: Bhutan
An intimate look into the Rally for Rangers expedition in Bhutan where adventure and conservation intersect.
Following a group of riders traversing remote Himalayan terrain, the work centers on the relationship between movement, landscape, and purpose. Each journey culminates in the handoff of motorcycles to local park rangers, expanding their ability to patrol vast, high-altitude ecosystems and protect vulnerable wildlife.
Shot across Bhutan’s mountainous terrain, the project balances the physicality of the ride with the quiet weight of its impact capturing both the scale of the environment and the human effort behind preserving it.
Role: DP, Editor
Hyper Focus
When we’re focused and determined, we are capable of so much. Teton Brown’s story of an unforgettable ski season where any distractions were given up in order to persue skiing legendary lines.
Role: Producer, DP, Editor
Home Away From Home
What could life have looked like had you followed your earliest childhood dreams? Early on Max knew he would turn his passion into profession with a Canadian backdrop. Max fifils a version of his childhood dream with old friends and new, from Jackson to Kicking Horse and back while shredding up big lines, small lies, Ice moguls and everything in-between.
Role: Director, Producer, DP, Editor
Organized Chaos
A global, season-long portrait of big mountain skiing through the lens of uncertainty, control, and adaptation.
Filmed across Jackson Hole, Chamonix, and the Andes of Argentina and Chile, Organized Chaos follows the shifting realities of high-consequence terrain—where weather, snowpack, and timing rarely align.
The work balances precision and unpredictability, capturing both the scale of the mountains and the internal negotiation required to move through them.
Role: Director, DP, Producer, Editor
Long Live The Queen
A portrait of progression, pressure, and trust set inside one of the most iconic lines in North America.
Centered on Veronica Paulsen, the film documents the process behind becoming the first woman to land a backflip into Corbet’s Couloir—moving beyond the moment itself to explore the build-up, uncertainty, and commitment required to get there.
Shot in Jackson Hole, the work balances spectacle with restraint—focusing on the internal negotiation behind a highly visible achievement.
Role: Director, DP, Editor
Magic Hour
Magic hour is not so much a particular time a day as a culmination of powerful moments in some of the most beautiful, wild places on the planet. For 27 years, Teton Gravity Research has been searching for the right place with the right crew at the perfect time to experience life at its fullest.
ROLE: Cinematographer
Stoke The Fire
TGR’s Stoke the Fire explores our athletes’ evolution within skiing and the pure joy that manifests from that process. The stoke means different things to different people based on where they are in their evolution.
ROLE: Cinematographer
F-Stop Packs / Nic Alegre
For award-winning TGR photographer Nic Alegre, countless different ingredients need to come together to create a shot that truly has the power to inspire. For him, the goal is to create the best art possible, and that requires athletes to perform, conditions to line up, and gear he can rely on, like f-stop’s camera bags. When composing a shot, his first priority is capturing light - and capturing it in a way that makes the athlete secondary to what’s going on in the environment. Ultimately, it’s a reflection of Nic himself and what gets him excited.
ROLE: Director of Photography, Editor
Zag Skiis SLAP 104 LITE
A stylized ski portrait built around the SLAP 104 ski—a lightweight touring platform designed for movement in the backcountry.
Shot in Jackson Hole, the piece focuses on efficiency, rhythm, and flow. Highlighting how the ski performs across varied terrain while maintaining a restrained, design-forward visual approach. The result sits between product and portrait, where function and form are equally considered..
ROLE: Director of Photography, Editor